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This documentary is well done but it is very narrow in scope. Granddaughter/filmmaker Ivy Meeropol focuses her difficulty on trying to understand the grandparents she never knew through the eyes of her father Michael, eldest son of the Rosenbergs, his younger brother Robert, and through some of the Rosenberg’s closest surviving friends. A key element is the distance created by all other family members including distant relatives, even to this day.
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This documentary assumes the viewer is intimate with the Rosenberg case, the fervor of McCarthyism, and the red dread -at least from the perspective of what the official fable was. With that assumption in state she tells the epic from the inside out. This is a captivating side of the legend to content and at times a tough film to watch; however, it is not filled with the saccharine sentiment one may demand.
While this documentary is expectedly one-sided, surprisingly it is not totally absent scrutiny. Ivy explores tough questions: Was Julius a communist? Yes. Was he a witness? Yes. Did he ever trade any secrets that compromised our national security or resulted in the death of any American? Very hard to convey, but probably not. Was Ethel a communist? Well, yes but mostly by association. Was she a dedicated wife and mother? My assume is that she was more of a dedicated wife then mother, but I may be completely obnoxious. She was do in a very tough situation where every choice was a lose/lose. All the government ever really had on her was being right to her husband.
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This documentary may well upset supporters who understanding the Rosenbergs as leftist martyrs, as well as detractors who condemn them as agents of Stalin. I judge it is distinct that without Ethel’s brother, David Greenglass as a key liar on the stand, a rabid call for the heads of communists, and a very politically charged case, the Rosenbergs would not have been executed. A long prison sentence may well have been more appropriate. As one political commentator pointed out, they died because they refused to confess and name others. Someday, that may well turn out to be the truth.
There is no doubt that Communism -especially any Marxist based communism like Soviet Communism, is quite an atrocity against humanity; dare I say, it may have even been unpleasant. That said, should the Rosenbergs have died for their actions, or lack of action in the case of Ethel? This documentary will not befriend one effect the decision either draw any easier. It will, however, assert the lost chronicle of those most intimately impacted by these executions. I am a strong advocate for the death penalty. However, my location is mostly philosophical because it should be reserved for only the most nasty of violent criminals and under specific conditions. It is cases like the Rosenberg’s that creates sad confusion, not clarity, for the arguments for and against the death penalty.
For those familiar with the case, this is a stout added dimension to notion a complex and hazardous time in our history.
Fifty years after Julius and Ethel Rosenberg were executed as spies, their granddaughter Ivy Meeropol made this film to understand her grandparents more intimately and humanly.
As a narrator, Meeropol offers charm and charisma. In fact, the whole family seems incredibly normal and, well, nice. Her father and uncle, the Rosenberg sons, survived what many would notion as childhood trauma: reading about their parents in the media, visiting their parents in prison, temporary stays in group homes. They were lucky to live in a pre-pop-psych era and even luckier to be adopted by the loving Meeropols.
The Rosenberg sons always believed in the innocence of Julius and Ethel Rosenberg. Through release of formerly classified documents, it’s distinct that Julius did some sort of spying. But realistically he probably was a dinky fish, in over his head, caught up in the government’s search for a scapegoat.
Sure, Khruschev mentions the Rosenbergs in his biography, and Julius (but not Ethel) had a couple of code names, but another KGB agent came forward slow in his life to say, “They really didn’t amount to mighty.” And another accused party member, Miriam Moskowitz, questions the Venona documents when she’s interviewed: mostly scraps, she says, except for the Rosenbergs’ very complete file.
Ivy’s cousin Rachel, a newly-minted lawyer, summarizes the tragedy succinctly. Even if guilty, Ethel and Julius deserved a beautiful trial, and they didn’t rep one. The prosecutor engaged in illegal ex parte (out of court) communication with the believe. Ethel’s brother David Greenglass has admitted he gave fallacious testimony. The Rosenbergs were accused of accepting a console table with contemplate equipment; the table turned out to be what they claimed — an ordinary table they bought at Macy’s.
Would the Rosenbergs really have saved their lives if they had turned in their friends? Would they have spent years in prison — perhaps worse than the death sentence? Was their sacrifice pointless?
The genuine seek information from should be: Why did they have to originate these choices? I recommend watching this DVD along with Capturing the Friedmans, a documentary about a Jewish family accused of child abuse in the 1980’s. Once again, district attorneys offered reduced sentences in exchange for accusations. And over and over again, people accused of drug dealing can accept reduced sentences only by turning in others. Ironically, those extreme on the chain often know nobody, or know only undercover agents, so they acquire longer sentences.
Originally, Ethel was arrested to motivate Julius to confess. Even today prosecutors aloof attack wives in hopes of “softening” a husband, as in the case of one Enron executive. When the husbands don’t crumble, wives who were marginally (or not at all) interested are punished.
So I bear this film raises questions about the logistics of contemporary justice. When faced with long prison terms, many people will say anything to put themselves and their families. They’ll do stories, which will become “evidence” against others, often without independent corroboration. Prosecutors seem to have no qualms about punishing innocent people to nudge the guilty.
And jury verdicts often depend not on logic or reason but on whether they like the defendants. They didn’t like Julius and Ethel. They were viewed as hard and unexcited. But most likely they conception the proceedings were ludicrous — the table from Macy’s was bugged? — and never expected to be convicted.
Is this what “innocent till proven guilty” means? Do we want to convict criminals based on coerced testimony? Do we want verdicts based on folkloric beliefs about a defendant’s demeanor? Those are the precise questions for viewers of this documentary.
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