Compare Prices on Star Trek: The Original Series - Season Two
Ever since I watched the Star Trek: Deep Plot Nine episode “Trials and Tribble-ations” serve in 1996 and saw the classic Enterprise displayed with original effects, I dreamed about one day seeing the entire Orignal Series retouched in such a radiant diagram. 10 years later, that dream came fair. Granted, the series does detached sustain that 60’s feel (especially with the style of the music, and of course the “military uniform” mini-skirts), there was so great of it that made for mountainous television even for today. The effects being updated really gives the series credibility and believability for viewers and allows the fresh series to fit in properly with all the incarnations that came afterward. Bringing it to High-Definition was truly a huge thought, and the live-action image quality is drastically improved, so great so that at times it gives the series an entirely unique feel!
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Agreed by both casual viewers as well as die-hard fans, the second season of “Star Poke” provides us with a multitude of approved episodes. Two episodes in particular that are given righteous treatment and extraordinary updating are “The Doomsday Machine” and “The Immunity Syndrome”. “The Doomsday Machine”, next to “The City on the Edge of Forever” is considered one of the best from the Recent Series, even in its unrefined get. The updating on this episode effect it into advance movie-quality, far surpassing many Star Breeze episodes, includng many from other spin-off series, and even perhaps a couple of the motion pictures. An attractive do, to me, was how the remastering of “The Immunity Syndrome” made a not-so-great episode into a spectacular episode! The 1966 effects were trustworthy at the time, but the remastering gives it a whole original sense of realism and scope. Other classic episodes like “Amok Time”, “The Inconvenience With Tribbles”, and “Mirror, Mirror” are given grand treatments, also.
As of August 6th, I’ve purchased this state and have been thoroughly enjoying it as grand as I knew I would. One of the most well-liked complaints of one-star reviewers is that this season, unlike the previous season’s release, is ONLY on DVD, not on Blu-ray or even HD-DVD. Don’t let that discourage you. Even in this standard DVD version, Star Amble is given original life unlike ever before. This DVD’s visual quality is far better than any previous releases, especially since that this is a down-conversion of the cleaned-up High-Definition source. On a regular 480i/p CRT TV, it looks marvelous. On an HDTV, a top-notch 1080p DVD up-converter will give you an well-behaved describe from the DVD; granted of course, it will not be the same as an HD release (no up-converter can do that, but they can collect discontinuance) . The truth of it is that this DVD will be better than what you can glance on broadcast TV. I’ve even noticed that the standard DVD quality is better than the “HD” TV broadcasts.
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There have also been those who have wondered what Gene Roddenberry would have conception of this rebuffing of the series. To acknowledge that, here is a segment from an interview with the executive producers of the remastered project on that very question:
“What do you judge Gene Roddenberry would deem of the remastered effects?
Dave Rossi: When Gene passed away and his estate requested that all memos and paperwork from the Unique Series through TNG be turned over, I was the person whose job it was to wade through 27 years of material. One theme that popped up with some regularity in Gene’s memos was “What can we do to improve the visual effects? ” While that alone isn’t an acknowledge, the relieve the Roddenberry family and people like Bob Justman have shown during this project really reinforces the belief that Gene was always striving to improve the effects to serve bring the world of Star Trail alive. We’re honored to aid fulfill that wish.
Mike Okuda: We had a number of long talks with Matt Jefferies before he died. For understandable reasons, Matt was one of our heroes. He was inwardly very proud of his work on Star Roam, but he was always very apologetic for the limitations of 1960s production techniques. He kept saying how he wished he had the technology that was developed after the exhibit ended. We always responded by reminding him that his designs were a major reason why the expose remains successful and watchable to this day. At the same time, it convinced us that he would have been the first to stand in line to update his believe work, if he had been able.”
Bottom Line — If you are willing to wait for the Blu-ray versions, that’s resplendent. I’m not. As a lover of the Novel Series, it’s objective too sterling to pass up. My hat’s off to to all those who participated in this incredible remastering danger and for turning a dream of mine into reality.
The second season of “Star Trek: The New Series” was a particularly strong one with many outstanding episodes but it also had its section of duds as the grind of producing a weekly TV series wore down the production team. This unique remaster uses digitally restored episodes along with fresh visual effects added recently. Episodes such as “The Doomsday Machine” and “Amok Time” both serve substanially from the recent visuals. The broken-down episode a tense one about an used artifact from a long forgotten war that destroys planets features fresh visuals that compliment the myth. The fresh model for the U.S.S. Constellation which is ravaged by the planet eater was an AMC model that looked terrific at home not so terrific when compared to the Enterprise model. The visual effects crew burned and damaged the plastic model but it never looked realistic. Here you can actually glance the abet beams where the skin was torn off the Constellation in battle. It makes the episode that worthy more great and the scenes as the Enterprise rapid moves in to attack the machine witness particularly capable even if they are in standard definition on this DVD.
We also catch duds like “The Omega Glory” where Gene Roddenberry attempts to utilize a “Rush” episode as a metaphor for the Cool War. Gene L. Coon left during the second season which means the demonstrate lost of one its most creative writer-producers. Coon was one of the finest writers on the production team (along with D.C. Fontana and John D.F. Dismal during the first season) during the first and second season John Meredyth-Lucas (who wrote the classic episode “The Changling” where the Enterprise’s fate hinges on a case of wrong identity by an ancient station probe and which probably inspired Alan Dean Foster’s fable “In Thy Image”. That narrative was to be the pilot episode of the unusual series with most of the novel cast. When “Star Trek: The Motion Relate” was build into production instead Harold Livingston (with some rewrites by Gene Roddenberry) retooled the episode into a feature film directed by Robert Wise) came on board and wrote/directed a number of very suitable episodes filling grand of the void left by the tedious Coon.
We glean almost all the originals special features ported over from the previous boxed status of the second season except for the text commentary tracks. We also find “Billy Blackburn’s Home Movies” which gives us more footage behind-the-scenes narrated by Blackburn that was shot when the expose was in production. Additionally, we accept the “Star Trek: The Inspiring Series” episode “More Grief, More Tribbles” with David Gerrold’s optional commentary track and the “Trials and Tribble-ations” droll tribute episode from “Star Trek: Deep Status Nine”. There are also some extras ported over from the “DS9″ situation that had this episode on it including two featurettes “Uniting Two Legends” and “An Historic Endeavor” which discusses the challenges of creating this episode, making it work as a “DS9″ episode even though it had a “gimmick” and the difficult in combining the “DS9″ crew into the ragged “Trot” episode. We also accumulate previews for the episodes. The menu is the same manufacture as the previous residence. Kudos to Paramount for including the other two “Tribble” episodes with the extras. While it didn’t cost them great to include they could have given us NOTHING.
In location of a booklet we collect the individual plastic cards that have a picuture on the front from an episode on that status along with details on the relieve about the episodes and extras. I don’t like the cards although they are a clever plan. Which brings us to the flimsy packaging. The plastic case would be tall if the hinges weren’t so shapely and broke so easy. The form is spellbinding and the intent was genuine but the execution was lacking.
The predicament with this area though is simple–this was originally to be a dual sided DVD/HD-DVD combo. While the HD-DVD format may be slow, Paramount went ahead and ragged the two sided hybrid discs that they had purchased for the previous season space to effect these but didn’t set anything on the “HD” side of the disc except the same disc info as on the previous state. I understand that Paramount was reluctant (with their funding from Toshiba pulled who paid Paramount for the queer rights to release this to HD-DVD) to continue on but they should have finished what they started for HD-DVD owners. If nothing else, Paramount should have keep episodes on the flip side with the novel visual effects so fans could idea either version of the display.
I’m disappointed that Paramount didn’t achieve together a Blu-ray version in time to coincide with this release but I suspect they recognized that many fans will retract this AND the Blu-ray so they could double dip. The HD masters were probably already prepared so they should have arrive out at the same time.
Regardless, this is a sparkling season with some episodes sporting novel visual effects that manufacture a disagreement while others they are mere decoration. The extras are shapely but Paramount should have included the current episodes with the recent visual effects or the HD-DVD versions. They also should have released this to Blu-ray at the same time. Recommended but with hesitation because you unbiased know a Blu-ray version is in the pipeline.
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