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“The Hills Have Eyes” is Wes Craven’s long awaited follow up to his first film, the grindhouse yarn “The Last House on the Left.” In the latter film, the creator of such dread staples as “A Nightmare on Elm Street” and “Yowl” delved deep into the recesses of human cruelty to philosophize the fable of two young women abducted, tortured, and killed by a runt gang of escaped convicts. Through a twist of fate, the parents of one of these girls meet up with her killers and true their contain ticket of awful revenge. “The Last House on the Left,” although not incredibly gory in its theatrical gash, is a nauseating, seedy dinky nightmare that received an fantastic amount of poor press even as it raked in money at the few places willing to display the movie. Craven’s subsequent career virtually assured that his early work would receive the DVD treatment. What’s surprising is how comprehensive a treatment “Last House” and “Hills” received. “The Hills Have Eyes” offers up a plethora of animated and informative extras on two discs. There is so grand material of interest on these DVDs that it’s easy to lose eye of the film itself.
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There is nothing more innocent and heartwarming than a family taking a spin across the country. In the case of retired cop Spacious Bob Carter (Russ Grieve), he’s taking his extended family out into the desert in search of a silver mine. His wife Ethel (Virginia Vincent) is along for the paddle, as are daughter Brenda (Susan Lanier) and son Bobby (Robert Houston) . Also tagging along in a mobile home is Carter’s married daughter Lynne (Dee Wallace-Stone), her husband Doug (Martin Speer), and their infant child. Rounding out the list are the two family dogs, one of whom will play an famous role in the nightmare to advance. Carter and his clan halt off at a decrepit gas state urge by Fred (John Steadman) in order to ask for directions. Fred issues dire warnings to Carter about heading out into the desert. The cop, undeterred by such nonsense, proceeds to drive his entire family into the middle of an Air Force bombing range. When a couple of jet fighters buzz the Carter set wagon, Spacious Bob panics and veers off the road. Now stranded miles from the highway, the family takes stock of the status. The automobile is seriously damaged, so Enormous Bob walks encourage to civilization while the family sets up camp. Listen to that alarm music rise with a swell!
The Carter clan should have listened to crotchety former Fred. It turns out that a family of cannibals lives out in the mountains come where the car crashed, a family headed by Fred’s only son Jupiter (James Whitworth) . The gas state owner tells Bob Carter a unusual memoir about the birth of his son, describing the youth as a cruel, misshapen child cursed with a violent temperament. Fred eventually threw the kid out into the desert after a particularly unpleasant crime convinced the father that the son was a accurate worry. Now Jupiter has a family of his have, including Pluto (Michael Berryman) and Mars (Lance Gordon), with which to terrorize anyone unlucky enough to hurry into their lair. As Large Bob races support to his loved ones, the film shifts focus to the family left assist on the bombing range. Determined enough, Jupiter and his abhorrent offspring swoop down on the wretched outsiders, killing two of the family members and stealing Lynne’s baby. The rest of the film deals with the survivors’ attempts to retrieve the infant and extinguish Jupiter and his pack of cannibals. It’s a battle to the do as Doug, Brenda, and Bobby rely on their wits to defeat stronger, better armed foes.
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“The Hills Have Eyes” is really a film about civilization versus barbarism. It’s also a film based loosely on the Sawney Bean family, a right life pack of inbred cannibals who preyed on travelers over in the English isles three centuries ago. The film relies heavily on shock value rather than over the top gore, an arrive that generally works even if it is a bit disappointing (I’d like to glance more cannibal action, personally) . And there is nothing more ghastly than the repulsive visage of Michael Berryman to send an audience over the edge. If I had to diagram a report of what I conception an inbred cannibal killer looked like, it would probably resemble Berryman. His misshapen bald head, buggy eyes, and malformed mouth add powerful to the impact of the movie. He is, in fact, almost as gruesome as some of the performances in the film. Most of the actors do a superb job with their roles, but Virginia Vincent goes needlessly over the top as matriarch Ethel. Talk about laying the ham on thick! Shelley Winters has nothing on this lady! I’m surprised Ethel and her relatives had to save up with cannibals at all, frankly. You would judge the planes saw Broad Bob go off the road and would insist the valid authorities. You would also believe that a pack of cannibals couldn’t survive for long on a military bombing range. Oh well, best not to ask too many questions.
The supplements on the DVD are quite beneficial. The best feature is the commentary track with Wes Craven and producer Peter Locke. They entertain themselves endlessly by poking fun at the unfolding hijinks. After listening to their comments, check out the interviews with cast and crew, the Craven career retrospective, and the alternate ending. Every anxiety film fan will want to check this DVD out. Even if you’ve seen the movie before, the extras are noble enough to merit another glance.
The remake is a joke compared to Craven’s wonderful 1977 novel.
Young kids have no clue what a superior anxiety movie is all about and that’s why remakes actually design money(actually most of them lose money) I’ve said this before and I’ll say it again, anyone that knows anything about fear movies realizes there is considerable more to it than glorious people on veil, loud bangs and CG effects.
Craven’s sage about a family on there procedure to California halt off in the middle of the desert looking for silver. When their Vehicle breaks down they are in for the fight of their lives. A cannibal family living in the hills survey a means to survive and view on feasting on the “unique meat”.
So the lighting isn’t immense, so the effects aren’t as ample SO WHAT!!!!!!!!! I’d care for to gawk ‘any’ director lift Craven’s budget for this film or Tobe Hooper’s budget from “The Texas Chainsaw Massacre” and construct half of a movie today. Directors today can’t even reflect of an unusual fable.
Real fans of the genre will relish the originals, the classics such as “Halloween”, “Dismal Christmas”, “The Fog”, “The Exorcist”, “The Nasty Dreary” etc. People who tranquil need to learn about the genre will select the remake fakes.
“The Hills Have Eyes” (1977) one of the best movies of the fright genre hands down!
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