Rileys Blog

December 23, 2009

Apollo 13 Movie Streaming

Apollo 13 Movie Streaming. Apollo 13 Movie Streaming.

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Others have remarked well enough on the virtues of _Apollo 13_ as a film. What makes the Special Edition DVD worth its acquire ticket, however, are the tons of extras that you gather. The myth of the making of _Apollo 13_ is at least as spellbinding, if nowhere approach as harrowing, as the accurate moonshot itself, and this DVD gives you hours of material to scurry you through that process.

Anyone who’s enthusiastic in filmmaking will be riveted by both the Ron Howard running film commentary and the hour-long “Making of” documentary. Perhaps even more interesting is the Marilyn and Jim Lovell audio track, in which you rep to hear how Lovell feels about Howard and Hanks made his movie. This is made all the more spirited and informative for the filmmaking student in that _Apollo 13_ wasn’t objective the retelling of Lovell’s real-life experience, it’s also the film version of his book. Getting his perspective both as epic object and storyteller is interesting, as are Marilyn’s observations on Kathleen Quinlan’s Academy-nominated performance.

Combine all this with the fine technical brilliance of the encoding here, and you’ve got a DVD that’s entirely worth the surprisingly modest ticket.

“Failure is not an option!”. So says mission-control director Gene Kranz, played by Ed Harris, as mission control devises a draw to regain the astronauts safely home. Although initially viewed as a wretchedness (explosion in spacecraft which forces cancellation the the moon-landing mission), in reality it is a yarn of success due to resourcefulness. The astronauts must return to earth and splash down safely with only enough electrical power to hurry a coffee pot.

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Probably the best of director Ron Howard’s movies, it is well acted by stars Tom Hanks (as Jim Lovell), Kevin Bacon (Jack Swigert), and Bill Paxton (Fred Haise) as the three space-bound astronauts, Gary Sinise (mission-bumped astronaut Ken Mattingly), Ed Harris (mission control Gene Kranz), and Kathleen Quinlan (Marilyn Lovell) . The movie was nominated for 9 Oscars including best narrate, writing, supporting actor (Harris), supporting actress (Quinlan), music, and visual effects, and won for editing and for sound.

There are a lot of special effects thoughout the movie, including the entirely-recreated lift-off sequence from a bird’s-eye viewpoint. The weightlessness scenes were achieved by filming in a KC-135 airplane that did a series of parabolic climbs and dives, allowing about 25 seconds of filming at a time.

An spirited 220 dinky movie about one of the most-watched successful rescues in history, the DVD contains a trustworthy “making of” documentary, a commentary by director Ron Howard, and another by Jim and Marilyn Lovell. “Bill Paxton’s home movies” were never located, and the “comparison with NASA footage” and the “extensive exploration of special effects” were brief parts of the “making of”, not separate items. Text-based production notes and cast/crew blurbs, and a trailer. Undocumented feature is the isolated fetch which plays in its entirety at the main menu (can skip forward, but not backward, however) . The 2.35:1 wide-screen movie has 56 (!) chapters. Highly recommend for fans of any of the actors listed above, the situation program, or adventures in general.

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“With all due respect, sir, I beget this will be our finest hour” - Gene Kranz
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December 21, 2009

Lowest Price on Hostage at Amazon.

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Going into this film you should know that “Hostage” is an over the top sort of film. Based on the unique of the same name by Robert Crais, this 2005 release finds that one hostage drama is not enough, there needs to be two hostage dramas going on at the same time honest to do things even more complicated. Then it decides that the hero should be burdened with guilt over a previous hostage site that goes despicable. On the one hand this makes the scenario gorgeous fabulous, but on the other hand you secure to the point where you are wondering how they are going to regain to the requisite gay ending so you will be hard pressed to call “Hostage” predictable. That being the greatest Hollywood sin, I am willing to forgive this film its faults.

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The prologue finds Jeff Talley (Bruce Willis), with long hair and a long beard, dealing with a hostage plot in L.A. His goal is to do certain that nobody dies that die, but that does not happen. A year later Talley is the chief of police in Bristo Camino in Ventura County. His wife (Serena Scott Thomas) and daughter (Rumer Willis) are aloof living in the city and near out to visit on weekends. The daughter is not speaking to her father, apparently stupefied her parents are going to earn divorced and unable to understand why daddy wants the relative peace and calm of the sticks. But like Willis’ most notorious cloak incarnation, John McClane of the “Die Hard” flicks, the rule of irony applies and his biggest nightmare shows up in town.

Three young punks are sitting in a stolen pick-up truck ogling a young girl who flips them off before getting abet into her daddy’s SUV. They resolve to follow the family home and when they scrutinize a lovely home nestled in the hills outside of town they choose to crash in and push the family around. The thing we know somebody is lifeless and Talley arrives on the scene to be greeted by a hail of bullets. The Smith family ends up being held hostage by these three punks and when the County Sheriff shows up Talley is perfectly gratified to turn over insist and wander away. However, there is an enthusiastic third party to the hostage dwelling who insists that Talley resume thunder and do everything in his power, not to accomplish clear that everybody gets out alive, but that a determined computer disc is retrieved.

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Again, this is a totally incredible location, but it is not slow. You either win into the scenario and go along for the sprint or you do not. My only demand is whether the red herring I picked up on to no proper waste whatsoever was intentional or an uncorrupted mistook. That and why the title credits watch like a dry race for “Sin City” and also have no discernable payoff in the film. The most involving character in the film ends up being Mars (Ben Foster), the trigger gratified one of the punks who had be disturbed because I kept thinking at some point he would realize that the young girl he was holding hostage (Michelle Horn) was going to be the last female he was going to be approach for the rest of his life. Earlier in the film her father (Kevin Pollak) tried to dissuade her from dressing like a tramp. Being eyeballed by punks with guns certainly seems to suggest that she might reconsider her clothing choices in the future (especially in terms of any words that might appear on her shirts) .

Director Florent Siri comes up with some involving camera shots and even managed to price me with a lifeless motion shot (I have been wincing at those graceful powerful since I saw the kill of “Rocky II”) . If anything, Siri is absorbing by the cinematic style of violence he can depict and if you are looking for an action film with flair this might fit the bill. The only one liner Willis’ character has in the film is an echo of something fair said by one of the poor guys and most of the key moments for his character are inarticulate looks of horror, rage, and despair. That is why I notion the two hostage situations were motivation enough without needing to resort to the one that went foul. The waste game of “Hostage” requires a couple of reverses to relieve things along, but I actually found it quite sharp to suddenly be rooting for a character that I was hoping to examine tiresome and although I did figure out the finale surprise twist it was not telegraphed that far in approach, so I was more blissful with myself than disappointed in the film.

Another shaded drama that makes no pretense

Of having a plotline that makes any sense

With two hostage stories, it’s double the action

Depending on violence to win your reaction

Bruce Willis does “misfortune”, the thing he does best

But the acting shouts “B” for most of the rest

He once lost a hostage and retired from the fray

Preferring to sit at his desk every day

But as fate would have it, some punks wrong his path

And it blows up loyal snappily when a cop feels their wrath

They have the Smiths hostage, the fright system sucks

The stakes glean remarkable higher when they net some mammoth bucks

And wouldn’t you know it, the Dad is a crook

By creative accounting, not quite by the book

He’s hidden some files under “Heaven Can Wait”

And organized crime is now storming the gate

The punks are in shambles, they’re out of their league

They’re making mistakes out of greed and fatigue

But Bruce has no choice, he can’t set it aside

His wife and his daughter are kidnapped and tied

The ending’s predictable, violent and gory

A typical, everyday action-man story

With fiery effects and dead motion also

As a rental, this movie is packaged to go.

(Rated 3.5 stars)

Amanda Richards, October 10, 2005

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December 20, 2009

Buy Darker Than Black: Volume 6 At Amazon!

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Ah yes, Darker Than Black: Here’s a program that most certainly gets me to halt in my tracks in anguish to bask in even when my “tracks” include shows that are longer, more hyped, and have already been released in their entirety. After all, this is a series I picked up in the fourth installment, backtracked to the first and now will attempt to evaluate this, the 6th and final, DVD release of the reveal. My sporadic route to getting here aside, the sixth Funimation release of the gritty superhero drama follows the format of the prior four volumes in terms of structure and runtime.

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Containing episodes 23-26, Darker Than Dismal 6 comes in at a runtime of 100 minutes even. Unprejudiced like in the previous sets, the four episodes within are actually a pair of two-parters. Wearing an appropriate TV MA rating (17+), DTB makes frequent consume of violent sequences and occasional gore. Language leans toward the adult side but vulgarity is certainly not gratuitous. Additionally there is no true nudity or sexual situations to picture.

These four episodes approach packaged on a single disc within a standard sized DVD case (with cold foil art wrapping) . Extras arrive in the execute of an English cast commentary over episode 26, production artwork stills gallery, textless songs and Funimation trailers.

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Language options are typical sub & dub meaning the option of current Japanese dialog track (stereo) or an English dub (5.1 Dolby Surround) and English subtitles available under either.

The note, for those who know nothing about it, can best be described if the Japanese were to obtain a serious incarnation of what we Americans might contemplate comic-book superheroes. Mutations and superhuman abilities abound only unlike the American seize on the same scenario, we have religious fanatics, alcoholism, and the current opinion of power consume coming at a consequence. Each application of supernatural power by a user (called a Contractor here) results in a cost of exhaust that can range from anything from having to smoke a cigarette to quick aging.

If you are familiar with the exhibit, let me say simply that these four installments are requisite material to the ongoing fable arcs and actually do well in revealing necessary information that has been long in development.

Technically, what are contained here are the three final episodes of the series and the OVA to the mythos.

Episode 23 follows the exploits of Eric Nishijima and his rather genius ambition to employ a particle accelerator to exterminate the contractors. Amber, in the mean time, assembles as many contractors as she can to bewitch out the accelerator before it can win them out. Huang, Mao, and Yin help Hei to infiltrate Hell’s Gate with the guidance of Wei.

Episode 24 picks up with Hei’s team, who were recently booted from the syndicate on the orders of Eric Nishijima. The EPR’s contractors originate an attack on PANDORA security forces, leaving the scheme begin for Hei and Yin. The syndicate takes out the EPR’s doll system, leaving Hei with only Yin for guidance as they head towards the interior of Hell’s Gate.

It all comes to a fever pitch in episode 25 when after collaborating with Amber, Hei learns that Contractors have a noteworthy more human side than ever belief possible.The core of this present (and the greater tale arc) deals with Hei’s decision to devote to the world of human beings or Contractors once and for all.

The final episode (the OVA) backs off on the steadily building tension that’s been getting stronger in each DVD volume of slack. It tells the romantically laced account of Mayu Otsuka, a Japanese National Police Agency worker who wrote a tale about a masked man that believes to exist only in a dream. Mayu, dreamy stories aside, starts to build feelings for Hei, while Saitou struggles to confess his feelings for Kirihara.

Pacing is a bit less methodic as it has been of slow within the Darker Than Murky formula. Rather then a pair of connected two-parters, the final three episodes string together with consistency while the OVA takes things to a different plane. The secret to the show’s lasting success lies in several intertwining memoir arcs that perform with what could only be described as being deliberately drawn out. The grander yarn is told from several varying threads through characters that you’ll come by yourself slowly coming to care about (a scare that was needlessly stressed over in the earlier installments) .

Like most Funimation properties, it could be said that the English dub is easily on par with the emotion captured in the Japanese dialog.

Now that the expose has been released in its entirety, I strongly recommend giving it a go all the blueprint through. It was wait on in November of 2008 that Funimation dropped the first installment on the North American market and here it is August of 2009 when the final installment arrives. The conclusion is satisfying and does well do leave few questions unanswered. A complete box plot release of this property would be a wise recede by Funimation, but no sense denying yourself the experience by waiting for that!

In Darker Than Shadowy volume 6, all the epic threads and hints from the entire series gather neatly wrapped up with one or two exceptions. The animation in this series is elegant, and the music by Yoko Kanno really sets the mood. The ending is a limited rushed, but this aloof is one of the year’s better anime series.
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December 19, 2009

Buy Dr. Quinn Medicine Woman - The Movies At Amazon!

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If you are a fan of Dr. Quinn Medicine Woman, then you probably wondered what happened at the destroy of the last series. What happened to the characters after the point to ended? How did Katie grow up? Were Colleen and Andrew happily married? Do Sully and Dr. Quinn have any more children? What about Cloud Dancing and Dorothy, Robert E. and Grace?

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I too, wondered those questions, until I discovered there were 2 Dr. Quinn movies that took region after the series had been cancelled. I snappy searched everywhere to win copies of them, only to earn out they were being released on DVD a few months later.

The first Dr. Quinn movie, referred to here as “Dr. Quinn, the Movie” is also known as “Revolutions”. The film begins by bringing us aid to Colorado Springs. We study Sully as an significant figure on the town council, Dr. Mike smooth working hard to cure people, and Katie, now a limited girl watching her mom at work. The town looks unbiased the same, as do the characters. Fair like in the series, a stout event happens; Katie is kiddnapped! Dr. Mike and Sully have to follow her kiddnappers into Mexico, where most of the movie takes status. The settings are pretty, (mainly filmed in Malibu Creek Location Park and Paramount Ranch, in different locations than the series took position) Its riviting and the storyline is Mighty more complex than any stories that took set in the TV series. This was my celebrated of the two films.

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The second Dr. Quinn movie, “The Heart Within” follows up on Dr. Mike’s family in Boston. Brian is a man now (he grew up beautifully, and sooo radiant!) and Colleen and her husband, Dr. Andrew Cook struggle to gather Colleen’s opinions favorite at Harvard Medical School. Like her mother, Colleen must also fight the prejudice of men as a woman doctor. She must also face Andrew Cook’s father, a professor at Harvard. Dr. Quinn’s mother is having heart troubles, and needs an experimental surgury to recover, but will it be worth it? Brian sets out to heed his family, and proove he is finally a man. This is a astounding film, and really brings support what was so indispensable in the TV series, morals, judgements and values, and teaching the inequity between legal and wicked. I plan that seeing Boston again was fantastic, the sets are astonishing, as are the costumes. Dr Quinn has a Graceful victorian bustled gown made up of GOLD satins and silks, and Sully is pretty in formalwear. Many people reflect this film was the better of the two, but I notion it left too many loose ends.

These movies are a must for any fan of the series. The characters are unexcited unbiased as memorable as they were through the series, and its a perfect wa to say goodbye to the extinguish of the Dr. Quinn era. I never felt like the season 6 finale was enough, and the actors had no belief that the explain was being cancelled; everyone anticipated comming serve for a season 7. The two films jubilant my need to say goodbye to the characters, and answered some of my questions. I deem these films were well done, for being made so long after the series had been cancelled. They are worth the money!

I have been a fan of Dr. Quinn Medicine Woman (DQMW) since it first aired in 1993 on CBS. I watched every single episode and now maintain them all on DVD. I was so blissful to explore that the movies that were made after the indicate went off the air were released as well on DVD. I loved Revolutions aka Dr Quinn The Movie. It has lots of Sully (Joe Lando)!! The premise of this movie is that Katie, the Sully’s young daughter is kidnapped because Sully wouldn’t vote a positive plot for a copper mining group. With the assist of Cloud Dancing, Sully and Dr. Mike acquire a wagon that was in an accident and awe that Katie has been killed. Dr. Mike blames Sully for not warning them that by not voting for the copper mine he build their family, especially their daughter, in grief. They are all very dusky after burying the cramped girl they found. But honorable news comes when word that there were two girls Katie’s age traveling that day and a girl who favored Katie was seen with people in Mexico. After an autopsy performed by Dr. Quinn confirms the lifeless girl isn’t Katie, they and their son Brian Cooper, and others from the series (town), Jake Slicker, Robert E., Horace Bing, and Cloud Dancing go to Mexico to glean Katie help. They hasten into difficulties together and individually, but Sully and Robert E. keep the day. This movie has it’s usual astounding cinematogrophy and historic mentions like the series did. It is a worthy adventure movie with a minute bit of romance tied in for kindly measure. The Heart Within is the second movie on this DVD. It was written by the creator of the series DQMW, Beth Sullivan. In this movie, Michaela, Sully, Katie, and Brian are traveling by bellow to Boston for Colleen’s graduation from Harvard. She lives there now with her husband, Dr. Andrew Cook. When they advance in Boston, they are greeted by Dr. Mike’s sister Rebecca who informs the group that Mrs. Quinn, their mother, is sick in the hospital. As luck would have it, Mrs. Quinn is released to go home as long as she doesn’t over do it. She has been diagnosed with a heart condition. Again, as in the series, there are subplots throughout the movie. One is some men try to bribe Sully to serve them do dreadful stuff. Another is Brian, who wants to be a reporter, is offered a job at the Boston Globe. And another is the prejudice that Colleen faces for being a woman and receiving the highest grade on the test to become a doctor. Sadly, Mrs. Quinn dies in this movie (Beth had a history of killing characters even when the series was on.) She leaves her money to her daughter Michaela so that she can execute her dream hospital in Colorado Springs, and she leaves money to Colleen so that she and her husband can have their possess medical practice in Boston. This movie wasn’t as adventurous as Revolutions, but it had it’s beget moments when Sully let those awful business men know what he conception about their bribe and their threats! All in all, if you are a fan of this explain, then you will like the movies. Unfortunately, The Heart Within doesn’t have many of the novel townsfolk in it like Revolutions does, but it is serene broad to view the Sully family once again. I wish there were more.
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December 17, 2009

Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! Review At Amazon.

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It’s about time somebody finally but out a decent print of “Phantom from residence”. I’ve been so sick and tired of finding copies that always have blurred images in them. Case in point is when a car goes by and the headlights leave a sail across the cloak. I’ve been looking for a fine copy of this film for quite awhile now and i have finally found it. I plan the narrate quality was very splendid and the sound quality excellant. Other copy’s I’ve seen left a lot to be desired. I’ve always wondered how some company”s can but out a product of contaminated quality and tiring, it on the general public when it advance from and wicked source. I feel I am being ripped off. But Tale Films has out done them selfs with this film. Satisfactory report and beneficial sound. In my book this one is worth the money. I have not watched the colorized version of the film since I have no interest in faked color film. The color always looks unatural and I win my films in there unusual Dismal and White and aspect ratios.

“The Phantom From Spot” is a sci-fi cheapie from 1953. The first half is magnificent monotonous, as most of the action involves driving around in ridiculous weak cars with ludicrous antennae on their roofs looking for disturbances. This takes status in California, so there are some other wacky things going on, but unbiased to originate positive we understand, the bulk of the first half hour or so is narrated. As the narrator drones on over the scenes of stock footage, and the cars drive around endlessly, something finally happens! A cancel by a guy in a diving suit happens, to be specific, but unfortunately for the audience, all that results for our entertainment is some really tough (not!) interrogation of the prime suspect. Ultimately a couple of people gain killed and a refinery gets plot on fire.

As the movie gets over the flow and starts picking up steam, we observe some amusing police foot chases of the diving-suit being that go on a bit too long, but ultimately corner the guy in a lab with a splendid female scientist. To evade rob the being takes off his suit and turns out to be invisible unless exposed to ultraviolet light. They journey him around until he needs to effect his helmet benefit on while he practices Morse code with the lady scientist. She figures out that he needs to breathe methane (hence his attraction to the refinery…behold how it all makes sense) but thanks to the silly relief newspaper reporter who is forever screwing everything up (at least they got that fragment correct) he drops and breaks his helmet. Eventually we contemplate him snort and burn up in what I gain may be the Griffith Park Observatory, his mission having utterly failed.

This film is a borderline two or three star movie, but I decided to go with three as it was quite well made considering that it was from 1953. I liked that the film didn’t attempt to effect the invader from site into a killing machine, and that in the raze actually made the audience feel sympathy for him. The special effects are not so special by the standards of today, but remember this was made 51 years ago, and I mediate was a pleasing credible misfortune for the time. The acting is average, and the script is too. The biggest weaknesses were pacing and the whole silliness with the cars with ridiculous antennae. The second half is fascinating, and the creature actually looks sterling when we finally catch to explore him. If you can score past the first half, this is better than average for mid 1950s sci-fi.
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December 16, 2009

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This is not your father’s uplifting wishy-washy Biblical yarn. This is a violent, dusky, and sometimes depressing narrative that is quite a change from many religious films.

Based on a recent, this film imagines what happened to Barabbas after he was chosen over Jesus to be released before crucifixion. Anthony Quinn is a perfect choice as the unrepentant thief who goes befriend to the world he knows- crime and carousing. His celebrated prostitute Rachel, however, has become a Christian and is later stoned for it. Barabbas is not objective an observer, he sees Jesus go to the crucifixion, and later finds Rachel at the launch grave. Barabbas goes assist to his musty gang of thieves, murders the modern leaders, and they prefer some Jewish clerics. Caught, he is sent to the sulfur mines for life, where he meets Christian Sahak, played by Vittorio Gassman. Sahak knows Barabbas’ name and reputation, and attacks him. They eventually become friends, since they are shackled together in the pit. Barabbas survives in the mine for twenty years, refusing to die. He is tormented by the memory of his reach death years before, and he sees the sacrifice Jesus made not unprejudiced for him, but for all of us.

Barabbas and Sahak survive a cave-in at the mine, and are taken to Rome as satisfactory luck charms by a newly appointed senator’s wife. They are recruited to fight in the coliseum, ruled by a maniacal gladiator played by a very young Jack Palance. The duo also acquire contact with a Christian servant, Ernest Borgnine in a diminutive but reliable role. Eventually, Sahak dies for his beliefs at the hands of Palance, and Barabbas has his bloody revenge on the field. Granted his freedom, Barabbas takes Sahak’s body to a group of Christians, who reject Barabbas’ half hearted attempts at Christianity. Barabbas misunderstands God’s word and helps in the torching of Rome, eventually ending up a martyr himself.

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Just under two and a half hours, there are a few uninteresting spots. The cast is grand, however, and Fleischer does an impressive job with a cast of thousands. No CGI to rely on here, Fleischer uses his assorted region pieces to their fullest extent without trying to fix or better anything in editing. What is left are a series of scenes that can stand on their maintain as highlights in early 1960’s film making, when the cinema was hotly competing with television to secure viewers assist. The stoning of Rachel, the sulfur mine collapse, the burning of Rome: all are unforgettable scenes.

Two stretches of the film are very memorable. First, an extended sequence between Palance and Quinn fighting in the coliseum. There is no dialogue, honest brutal violence and action. Another scene is the final tracking shot of dozens of crucified Christians, including the now ironic Barabbas. This shot sent chills down my spine.

This film is very dusky and very different. Barabbas is a man torn between his heathen upbringing, and what he knows is correct through what he has witnessed in Jerusalem and Rome, no matter how worthy he denies what he has seen.

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Produced by Dino DeLaurentiis in Italy, this film has a European feel that makes it different and lends a positive credibility to the proceedings. The Oscar heavy cast does not drop victim to any preachy speeches or effects laden miracles, these are seemingly ordinary people caught up in tumultuous times. I highly recommend “Barabbas” to any film fan, especially those who judge “Gladiator” is the only decent sword and sandals tale out there.

Although not rated, this does acquire strong physical violence, some sexual violence, gore, and some adult situations.

I’ve often wished for a widescreen edition of Barabbas and now here it is. I became enraged several months ago when I saw this edition was to be relased on DVD. So here I am on March 5th ordering my copy. I contain the VHS version which distracts from the satisfactory photogarphy. There are some famous things to know about the production of this film: the crucifixion sequece was filmed during an sincere eclipse, a one shot scene. The sets were constructed three dimnesional so the streets of Jerusalem and Rome appear accurate. Anthony Quinn was a perfect choice for Barabbas. If you’ve read the book this film will provide a quality visual to the aesthetic, simple telling of a man’s life, the man who was spared crucifixion and free’d instead of our Lord. Also if you’ve read the book you’ll know what Barabbas is thinking most of the time. Quinn is trustworthy, his eyes ever roaming in plan of survival. This is a expansive movie shot in a down to earth realistic scheme. A handsome glance in seeking truth, arriving on it’s doorstep only to turn away. Because of the book, when Baabbas is helping dwelling fire to Rome, I am aware of how truly emotional this last scene in the film is. (I hope am not giving anything device in the film) . Barabbas finally makes an inaugurate commitment, acting out on a idea system that he’s denied since Christ’s crucifixion, only to view in the demolish it was Nero who plot fire to Rome and not the Christians. It’s really all there. The muscal collect is unsual and original. I have the stale mono 33 1/2 rpm version which gives musical examples at the raze of how Mario Nascimbene wrote and orchastrated the incedibe net. Sadly enough this former recording is far supeior to the original CD declare which edited cuts and left out the 5 little + prologue. I rate this movie 5 stars. If you like the ancient spectaculars this one is modern and should be in your library.
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December 14, 2009

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I’ll spare you a long talk about the movie, except that it’s one of the best thrillers ever made. Enough said. Now for this unique DVD. Finally we earn this classic in widescreen, that alone should please many fans. (-The opening credit scene has a different letterboxing than the rest of the movie, for some reason.) The extras will beget you drool!. A unusual documentary with most of the people enthusiastic with the movie, except Olivier, of course. Sadly, neither William Devane, Fritz Weaver, Richard Radiant or the director steal fraction. Detached, it’s vast to hear the stories surrounding this pleasant suspense movie, like why it was decided to give Olivier’s character that last injurious meal!. -But it makes sense, considering what Hoffman’s character went through. At one point when talking about Olivier, Hoffman is almost in tears. Touching. Strangely enough, I found the full-screen clips shown during the documentary to be sharper than the movie itself presented on this DVD. Stll, you must win this release, even if the label is a runt high. There’s also a very pleasant 70s making-of featurette with interviews. Catch ANY thriller made today, compare it to “Marathon Man”, and “Marathon Man” will bag on ALL levels. It’s as simple as that.

One of the tall suspense dramas of the 1970s, MARATHON MAN is a somewhat violent capture often stylish and sinful intrigue thriller that remains a high watermark of its genre.

Dustin Hoffman portrays the Columbia University graduate student and marathon runner who becomes caught up in a deadly game though-provoking smuggled diamonds belonging to a Nazi fugitive (Laurence Olivier) . Hoffman’s brother (Roy Scheider) was one of the couriers helping to transport the diamonds, which are now in a safety deposit box in a Manhattan bank; and when Olivier kills Scheider, it is assumed by Olivier and his henchmen that Hoffman knows something about them. He is strapped to a dental chair in an abandoned warehouse, forced to undergo dental torture at the hands of the Nazi, who had been a dentist. Olivier keeps asking him numerous time, “Is It Noble? ” (regarding the diamond stash) . Hoffman doesn’t know a thing, but this doesn’t cessation Olivier from performing a root canal–one of the most squeamish sequences in cinematic history.

Excellently directed by John Schlesinger and scripted by William Goldman (from his hold current), MARATHON MAN features a typically magnificent performance by Hoffman as the man in the middle, and Olivier, arguably the greatest actor that ever lived, as the very devious Nazi fugitive. Scheider, who was sparkling in JAWS, scores more points here, as do William Devane and Marthe Keller. The opening sequence, a vicious and somewhat hilarious car-to-car argument between an irate Jew and Olivier’s brother which ends in a collision with an oil truck, sets the story’s machinations off, and is deftly handled by Schlesinger in a manner Hitchcock would have admired.

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If you have a dread of dentists, of course, you may want to steer distinct of MARATHON MAN. But if intense suspense is your game, this is as capable a film to launch with.
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December 13, 2009

Buy 2103: The Deadly Wake Blu-Ray at Amazon.

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Not all it was ranked up to be. OK movie. Not stout position.
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December 12, 2009

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…that this movie gets the DVD release that it deserves.

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If you haven’t seen this, it is a apt “fear” movie in the vein of the modern Texas Chainsaw Massacre.

And by that I mean that it is utterly horrifying: the kind of movie you deem about 10 years later and it peaceful leaves you unsettled. The kind of movie that you’re not eating popcorn while watching it because your hands are in fists throughout most of it - and you wouldn’t want to be eating while watching it anyway.

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By “terror,” I don’t mean a slasher film where you fetch cutsie characters, droll relief, and gratutitous nudity.

I’m not going to scream anything about the space because that will only detract from its impact. (Not smart anything about this film and seeing “the scene” is perhaps the single scariest movie experience I’ve ever had) .

Don’t remove my word for it though.

Why do you deem it’s taken over 20 years to fetch this movie released uncut in America - and the film itself is virtually unheard of by Americans?

You’ve been warned.

One of the best fear films you’ll ever observe in your entire lifetime. This is the complete version. A shining and inventive film. It’s possible that Stephen King was inspired by this gem to write children of the corn. Who can slay a child? is an fantastic film, and the last reel will give you a deep trauma that will haunt you for years. 1 billion thumbs up.
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December 10, 2009

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Before Matt Groening and pals introduced us to “The Simpsons,” Joseph Barbera and William Hannah produced a small display called “The Flintstones.” Season “1″ was first aired on ABC during 1960 and has been syndicated in perpetuity throughout the known universe ever since.

Episode Guide:

(Camouflage Test) The Flagstones: Admittedly, I’ve never seen the camouflage test (discovered in 1993) and cannot even vouch for it’s inclusion in the DVD set-one can only hope.

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(1) The Flintstone Flyer: Barney invents a flying machine (the Barney Copter) which he later loses to his over-bearing best friend. The duo uses the machine to ditch their wives and go bowling, thus setting the stage for years of adventures.

(2) Hot Lips Hannigan: Fred relives his glory days as a singer in his high school band as he jams with an conventional pal.

(3) The Swimming Pool: Fred and Barney originate a pool spanning across their backyards…a hilarious power struggle ensues.

(4) No Back Wanted: Having cost his friend his job, Fred finds Barney a novel job as a repo man. Enter Dino.

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(5) The Split Personality: Following a blow to the noggin’ Fred becomes his more refined alter, Frederick.
(6) The Monster from the Tar Pits: Gary Granite is filming in Bedrock and lucky Fred finds a portion in the film…, as his stunt double.
(7) The Babysitters: Fred and Barney shirk their responsibilities and bring a baby to a friends house to gawk the spacious fight. BYOB?
(8) At the Races: Fred and Barney rely on gambling for a quick-fix solution. Do you contemplate they catch?
(9) The Engagement Ring: Barney purchases a ring for Betty but Wilma discovers the ring and assumes it was for her… Instead of spending five minutes explaining the status, Barney decides to enter a boxing contest with The Champ.
(10) Hollyrock, Here I Come: The girls approach up with a winning slogan and a hotfoot to Hollyrock. Lost without their better halves, Fred and Barney aren’t far slack.
(11) The Golf Champion: Fred demonstrates his prowess at golf, earning a trophy. Barney, however, pesters his buddy as Fred neglected to pay his membership dues.
(12) The Sweepstakes Ticket: Both the guys and gals grasp lottery tickets unbeknown to their spouses. As they forever remain strapped for cash, I assume you know how this one ends.
(13) The Drive-In: Fred and Barney secretly end their jobs to fulfill a short-lived dream of business ownership. The gig is up when one of their dazzling employees pays a visit to the Flintstone site.
(14) The Prowler: Panicked by a neighborhood prowler, Betty and Wilma choose to pick Judo lessons, despite Fred’s objections.

At this writing, I couldn’t explain you about the extra’s included in this volume. However, as I grasp, The Flintstones’ 3rd season (1962-63) is perhaps their most transitional, as Fred (Alan Reed) and Wilma (Jean Vanderpyl) give birth to a miniature cavegirl named Pebbles (also voiced by Vanderpyl, she would get her debut towards the destroy of season 3 in Dress Rehearsal (aka The Blessed Event), at the kill of the show; her 1st words are “Abba dabba goo goo!”) . Many of the cartoons featured Wilma expecting, with the announcement of Wilma’s pregnancy at the raze of one particular episode appropriately entitled The Surprise (ironically, this episode had more to deal with Barney’s nephew Marblehead, whom Fred grows to like, though he won’t admit it! Listen for Marblehead’s imitation of Uncle Barney’s hiccupy laugh) . Barney (Mel Blanc) and Betty (Bea Benederet) are the godparents. Also, the familiar theme “Meet the Flintstones” also makes it honorable debut in this season (it was featured in background music in Seasons 1 and 2) .

Highlights include a performance by Rock Roll, who looks and sings a exiguous like Elvis (”There’s a town I know where the hipsters go called Bedrock, twitch, twitch!”), Wilma and Betty enter a Rock Toasties contest and score a chase to Hawaii (Wilma saves Fred’s life by punching out a ferocious dinosaur chasing him, “Beat it, buster!”), Barney plans a surprise birthday party for Fred and spends most of the episode trying to score a snappily asleep Fred home to the party, Fred takes ballet lessons to improve his bowling, Barney saves a baby but Fred unintentionally takes the credit, Fred goes wait on to high school for his diploma in order to avoid termination from Mr. Slate and becomes a football hero (”Flintstone! Flintstone! Rah, rah, rah!”), Wilma rents the house to 3 Swedish musicians (”Duh, he is Olie, I am Schven!”), Barney becomes invisible thanks to one of Fred’s wacky inventions, Fred tries hard to fetch along with his unsuitable mother-in-law during a visit (”I admire my mudderinlaw!” he reminds himself, but gets his revenge by taking her on a long taxiride in disguise), Fred hires an Italian maid named Lolabrickida (who is an top-notch cook and a lot nicer than Grandma Dynamite and the bossy nurse hired after Pebbles’ birth, but has zero tolerance for terrible singing!), Fred and Barney go skiing in the mountains and unwittingly prevent a jewelheist (”Psst! Slalom, Shorty, SLALOM!”), Barney reluctantly agrees to masquerade at Tiny Tex to sign Fred’s rich Uncle Tex (voiced by Hal Smith, “Wahoooooo!”), Arnold the Paperboy cons Fred into paying more and later Wilma insists Fred explore a quacky doctor and for Wilma’s birthday, Fred buys her a dodo bird named Doosey, who snitches to Wilma and Betty about the boys’ plans to go to a Water Buffalo convention in Frantic City without them (”Snort! Frantic City, Frantic City, sing, whistle!”) . Also, Barney tricks Fred into thinking Pebbles can talk (”Do thum backfwips for me, Daddy, or I’ll cwyyyy!”) and the Flintstones proceed out of their humble abode to be arrive a crowd of rich snobs (”Everybody into the pyool!”) .

If you liked Seasons 1 and 2, attach your money for this one! That’ll be 2 rocks, please!
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