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Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! Review At Amazon..
Product: Phantom from Space - In COLOR! Also Includes the Original Black-and-White Version which has been Beautifully Restored and Enhanced! Amazon Price: Sale Price Too Low To Display Availability: In Stock |
It’s about time somebody finally but out a decent print of “Phantom from residence”. I’ve been so sick and tired of finding copies that always have blurred images in them. Case in point is when a car goes by and the headlights leave a sail across the cloak. I’ve been looking for a fine copy of this film for quite awhile now and i have finally found it. I plan the narrate quality was very splendid and the sound quality excellant. Other copy’s I’ve seen left a lot to be desired. I’ve always wondered how some company”s can but out a product of contaminated quality and tiring, it on the general public when it advance from and wicked source. I feel I am being ripped off. But Tale Films has out done them selfs with this film. Satisfactory report and beneficial sound. In my book this one is worth the money. I have not watched the colorized version of the film since I have no interest in faked color film. The color always looks unatural and I win my films in there unusual Dismal and White and aspect ratios.
“The Phantom From Spot” is a sci-fi cheapie from 1953. The first half is magnificent monotonous, as most of the action involves driving around in ridiculous weak cars with ludicrous antennae on their roofs looking for disturbances. This takes status in California, so there are some other wacky things going on, but unbiased to originate positive we understand, the bulk of the first half hour or so is narrated. As the narrator drones on over the scenes of stock footage, and the cars drive around endlessly, something finally happens! A cancel by a guy in a diving suit happens, to be specific, but unfortunately for the audience, all that results for our entertainment is some really tough (not!) interrogation of the prime suspect. Ultimately a couple of people gain killed and a refinery gets plot on fire.
As the movie gets over the flow and starts picking up steam, we observe some amusing police foot chases of the diving-suit being that go on a bit too long, but ultimately corner the guy in a lab with a splendid female scientist. To evade rob the being takes off his suit and turns out to be invisible unless exposed to ultraviolet light. They journey him around until he needs to effect his helmet benefit on while he practices Morse code with the lady scientist. She figures out that he needs to breathe methane (hence his attraction to the refinery…behold how it all makes sense) but thanks to the silly relief newspaper reporter who is forever screwing everything up (at least they got that fragment correct) he drops and breaks his helmet. Eventually we contemplate him snort and burn up in what I gain may be the Griffith Park Observatory, his mission having utterly failed.
This film is a borderline two or three star movie, but I decided to go with three as it was quite well made considering that it was from 1953. I liked that the film didn’t attempt to effect the invader from site into a killing machine, and that in the raze actually made the audience feel sympathy for him. The special effects are not so special by the standards of today, but remember this was made 51 years ago, and I mediate was a pleasing credible misfortune for the time. The acting is average, and the script is too. The biggest weaknesses were pacing and the whole silliness with the cars with ridiculous antennae. The second half is fascinating, and the creature actually looks sterling when we finally catch to explore him. If you can score past the first half, this is better than average for mid 1950s sci-fi.
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