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The Syrian Bride is one of a string of well done European-Israeli movie productions. The producers and the cast are mostly Arab Israelis. While the movie might seem to carry political connotations it is in fact a sociological masterpiece.
The setting is Majdal Shams - the biggest town of the Golan Heights - a Syrian territory which Israel occupied in 1967 and annexed in 1981. The characters are Druze, a Middle Eastern sect that endorses a curious religious opinion borrowed mainly from Greek mythology, Hinduism and Islam.
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The movie highlights the national loyalty of the Golan Druze, which has remained presumably pro-Syria. It also depicts the disaster this community endures as it lives on different sides of a land controlled by two enemy countries: Syria and Israel.
But the movie is not only about national affiliations and living hardships. It is an emotionally worthy film that penetrates into the deep sociological makeup of the Druze community in specific and the Middle Eastern community in general.
First, the wedding of the bride, Mona, to a fianc? she never met, exposes the fragility of arranged marriages. Mona not only had to surrender to an unknown fate as she marries Talal who lives on the Syrian side, she also had to give up on all of her family and neighborhood since once she left the Israel-occupied territory to Syria, she would never be allowed relieve. The scene highlights the high risks Arab brides select when they resolve for arranged matches that they would never be able to give up on in the future.
But the film does not leave the interrogate of the arranged marriages unanswered as it introduces Mona’s elder sister, Amal, who had earlier settled for such an device and now lives under the misery of a musty husband with whom she does not allotment anything except for their two daughters.
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The rigid Druze marriage system does not affect only women, however. Another sibling of Mona and Amal, Hattem, had been married to a Russian for eight years. Since he had taken up a wife from outside the community, Hatem was being cast out not only by his father, but also by the whole community. The movie cleverly depicts how Hatem’s father, Hameed, was under pressure from the community’s elders to boycott his son.
The film is certainly one of the best works in this regard about one of the Arab world’s most undiscovered sociological aspects. The acting is huge and the production is very noteworthy up to standard. I recommend you occupy it and add it to your library of best foreign films.
While commence hostilities currently prevail between Israel and its neighbors, this film tells of a relatively more mild time in the original past when the Golan Heights have been separated from the rest of Syria by Israeli occupation. Like the wall dividing East and West Berlin, the border fences, check points, and no man’s land maintain apart members of families, whose lives must now accommodate political differences and national interests originating in cities far away and played out in bureaucracies that are mindless, petty, and impersonal. Against this background, the characters in this film attempt to have a wedding in which the bride and groom arrive from opposite sides of the border.
While this particular boundary crossing is fraught with difficulties, the bride’s family has many inner divisions of its gain, between father and son, husband and wife, and father and daughter. Meanwhile, the father of the bride is repeatedly confronted by an uncompromising Israeli army officer and the village’s pro-Syrian sheikhs are delivering ultimatums of their occupy. There is enough dramatic conflict for an Altman movie. The Syrian bride of the title eventually is revealed as the unhappily married wife of a traditionally conservative husband who wants to maintain her from pursuing a professional career.
One of the best dramatically fair films I’ve seen in a long time. The DVD includes an informative making-of featurette, which explains something of the complexity of a multi-national film project shot in the Middle East - and at the rotten time of year. Israeli-born Palestinian actress Hiam Abbass, who plays the sister of the bride, is incredible.
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